款彩漆屏风制作材料科学检测分析及工艺研究——以香港中文大学文物馆藏《康熙朝寿庆人物图六曲款彩漆屏风》为例
CSTR:
作者:
作者单位:

(1.故宫博物院,北京 100009;2.香港康乐及文化事务署文物修复办事处,香港)

作者简介:

华春榕(1990—)女, 2021年硕士毕业于清华大学美术学院,副研究馆员,研究方向为漆器类文物修复与保护,E-mail: huachunrong@yeah.net

通讯作者:

中图分类号:

基金项目:

香港北山堂基金2024/2025年度香港利荣森纪念交流计划项目资助


Scientific analysis and craftsmanship research on a Kuancai lacquer screen:a case study of the Six-Curved Marked Lacquer Screen with Figures of Birthday Celebrations from the Kangxi Period in the collection of CUHK
Author:
Affiliation:

(1. The Palace Museum, Beijing 100009, China;2. Conservation Office, Leisure and Cultural Services Department, Hong Kong, China)

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
  • |
  • 文章评论
    摘要:

    款彩屏风是漆家具种类之一,其制作工艺为漆工艺中的款彩工艺。此工艺多数用于大型屏风的制作,且制作时间集中于明清时期。本研究对这件《康熙朝寿庆人物图六曲款彩漆屏风》运用了多项科学检测分析方法,检测样品主要涵盖了屏风胎体及髹饰层,运用热裂解-气相色谱/质谱连用对样品的有机材料进行检测分析,同时采用显微镜观察,紫外荧光和红外光成像摄影,扫描电子显微镜观察,能谱仪/红外光谱仪和拉曼光谱仪等技术进行木材品种辨认、样品横切面及其成分分析,综合检测分析结果:屏风主要结构包括木胎、纤维层、灰层、漆层、彩绘层、后期修复层等;木胎树种为柏木;纤维层由纸、麻纤维构成;底灰层成分主要为沙石、猪血,彩绘层主要由矿物质及植物油组成,颜料为朱砂、石青、石绿等矿物颜料。

    Abstract:

    The Kuancai lacquer screen is one of the categories of lacquered furniture and is produced using Kuancai polychrome lacquering technique. This technique is primarily applied in the production of large-scale screens, and was especially prevalent during the Ming and Qing Dynasties. This study applied multiple scientific detection and analysis methods to the Six-Curved Marked Lacquer Sereen with Figures of Birthday Celebrations from the Kangxi Period in the collection of the Chinese University of Hong Kong (CUHK). The analyzed samples mainly included materials from the screen body and decorative layers. Pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) was used to identify and analyze organic materials in the samples. Additional methods, including microscopy, ultraviolet fluorescence and infrared imaging photography, scanning electron microscopy-energy dispersive spectrometry (SEM-EDS), infrared spectrometry and Raman spectrometry were employed for wood identification, and for cross-sectional and compositional analyses of the samples. The comprehensive results indicate that the main structure of the screen consists of a wooden body, fiber layer, ash ground layer, paint layer, pigment layer, and later repair layers. The wooden body was identified as cypress. The fiber layer was composed of paper and hemp fibers. The ground layer primarily consisted of sand, stone and pig blood. The pigment layer was mainly composed of mineral pigments and vegetable oil, with the identified pigments including cinnabar, azurite and malachite.

    参考文献
    相似文献
    引证文献
引用本文

华春榕,任萌,邓汶慧.款彩漆屏风制作材料科学检测分析及工艺研究——以香港中文大学文物馆藏《康熙朝寿庆人物图六曲款彩漆屏风》为例[J].文物保护与考古科学,2026,(3):109-124.

复制
分享
相关视频

文章指标
  • 点击次数:
  • 下载次数:
  • HTML阅读次数:
  • 引用次数:
历史
  • 收稿日期:2025-12-01
  • 最后修改日期:2026-04-14
  • 录用日期:
  • 在线发布日期: 2026-07-13
  • 出版日期:
文章二维码
您是第位访问者
主办单位:上海博物馆 编辑出版:《文物保护与考古科学》编辑委员会
地址:上海市徐汇区龙吴路1118号,上海博物馆文物保护科技中心,《文物保护与考古科学》编辑部
电话:021-54362886 传真:021-54363740 E-mail:wwbhykgkx@163.com
文物保护与考古科学 ® 2026 版权所有
沪ICP备10003390号-3
沪公网安备 31010102005301号