特制绢地书画作品修复——以清代莫晋绢本书法立轴为例
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(上海博物馆,上海 200003)

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沈 骅(1978—),男,2007年毕业于上海大学美术学院绘画专业,副研究馆员,1997年进入上海博物馆从事古书画修复工作至今,E-mail: xiaonunushen@sohu.com

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Restoration of special silk painting and calligraphy works—taking a silk calligraphy scroll by Mo Jin of the Qing Dynasty as an example
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(Shanghai Museum, Shanghai 200003, China)

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    摘要:

    特制绢地书画作品的修复历来是一大难题,因困于材料的特殊性与稀缺性,如寻觅不到同类补绢,就较难实现理想的修复效果。清代莫晋绢本书法立轴的画心材质为一种经过涂布、染色、描绘等工艺制成的特制绢本,因保存不当,画心已出现严重断裂残缺、部分涂层填料脱落等劣化现象,亟需修复保护。但画心用绢的质地和颜色特殊,无法找到与之接近的补绢。本次修复通过对绢的表面涂层进行检测分析,并参阅传统纸张再加工材料的检测报告和研究文献,再结合对材料的老化实验等,确定将瓷土和高岭土按一定比例混合来代替原涂层中的铅白作为本次修复的涂布材料。最后通过对修补涂层的全色,取得较为理想的修复效果。

    Abstract:

    The restoration of painting and calligraphy works made of special silks has always been a big problem. Because of the particularity and scarcity of materials, it is difficult to achieve ideal restoration effects if we cannot find the same kinds of silks. The painting material of a calligraphy scroll by Mo Jin of the Qing Dynasty is a kind of special silk treated with coating, dyeing, depicting and other techniques. Due to its improper preservation, serious breakage, loss of the filling material and other deterioration phenomena had occurred, and the scroll needed urgent restoration. However, it is difficult to find a similar kind of silk because of the special texture and color of the painting silk. In our work, after testing and analyzing the surface coating of the silk, referring to research literature and testing reports of traditional raw materials for ancient paper processing and combining aging tests of the materials, a mixture of porcelain clay and kaolin with a certain ratio was selected to replace lead white in the original coating as the filling material for this restoration. Finally, the repaired coating was retouched and an ideal effect was achieved.

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  • 收稿日期:2021-04-23
  • 最后修改日期:2021-07-14
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  • 在线发布日期: 2022-08-08
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