四川绵阳双包山汉墓出土部分漆器的制作工艺及老化程度分析
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(1.绵阳市博物馆,四川绵阳 621000;2.四川博物院,四川成都 610000)

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杨海艳(1984—),女,2014年博士毕业于中国科学技术大学,研究方向为有机质文物保护,馆员,E-mail: yanghaiyan86@163.com 通信作者:钟 治(1970—),男,E-mail: 373792913@qq.com

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Research on the workmanship and the degree of aging of lacquerware unearthed from a Western Han tomb at Shuangbaoshan of Mianyang, Sichuan Province
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(1. Mianyang Museum, Mianyang 621000, China;2. Sichuan Museum, Chengdu 610000, China)

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    摘要:

    四川绵阳双包山二号汉墓发掘于1995年,为西汉早中期的墓葬,其规模巨大,是四川省迄今发现最大的一座木椁墓。尽管早期被盗,但仍然出土了1 000余件遗物。该墓葬出土的8片银缕玉衣残片,以及数量较多的漆木马、骑马俑和车舆组成的仪仗队,足以证明其墓主身份的高贵。 为保护修复双包山汉墓出土的漆器,利用扫描电子显微镜-能量色散光谱(SEM-EDS)、X射线衍射(XRD)、傅里叶变换红外光谱(FTIR)等分析方法对漆盘、漆耳杯、漆钵和漆木仓4件文物样品(编号分别为Q1、Q2、Q3和Q4)的截面形貌、颜料成分等髹漆工艺及漆膜的成分、老化程度等进行分析。 红外分析结果表明,双包山汉墓漆器所用漆料为大漆,且不含桐油;截面分析结果表明四个样品均无漆灰层,Q1、Q2、Q4号样品内侧均是黑色的底漆层之上涂红色大漆,而Q3号样品内侧及Q1、Q2、Q3号样品外侧均是在黑色底漆层之上描绘红色纹饰,而Q4号样品外侧只有一层黑色底漆层。即大部分漆器为木材胎体表面直接髹黑色底漆层,其上再刷一层红色漆膜或绘制红色纹饰的工艺,少部分只有一层黑色大漆层,而无色漆和纹饰。红色漆膜表面平整,厚度比较均匀,而黑色漆膜厚度相差较大;EDS及XRD分析结果表明,黑、红两色漆膜的主要成分分别为炭黑和朱砂。该制作工艺不同于楚地漆器,但与马王堆M2、广州东山大墓、长沙市风篷岭M1出土漆器制作工艺类似,说明巴蜀地区与岭南、长沙地区可能存在漆器工艺或成品的交流。另外,SEM及FTIR分析结果表明,Q3表层无明显龟裂,且未出现降解所致红外吸收峰,相较于其他样品保存状况相对良好。 相较于以往对双包山汉墓的研究,本研究更侧重于科技分析,如对漆器样品的截面形貌、颜料及漆膜的成分、老化程度等进行全面的分析,揭示了双包山汉墓漆器的制作工艺及保存状况,并与不同地区的漆器制作工艺进行了对比,对研究漆器工艺或成品的交流提供了依据。

    Abstract:

    The No. 2 Han tomb at Shuangbaoshan of Mianyang, Sichuan Province, a tomb of the early and middle Western Han Dynasty, was excavated in 1995 and is the largest wooden-coffin tomb ever found in Sichuan Province. Despite early grave-robbing, still unearthed were more than 1,000 relics, among which eight pieces of a silver-threaded jade suit and an honor guard composed of a large number of lacquered horses, equestrian figurines and chariots unearthed from the tomb indicate the nobility of the tomb owner. Aiming to protect the lacquerware unearthed from the tomb, and the workmanship, we carried out analyses of cross-section morphology, types of pigments and chemical composition and degree of aging of lacquer films of Sample Q1 (a lacquer plate), Sample Q2 (a lacquer flanged cup), Sample Q3 (a lacquer bowl) and Sample Q4 (a lacquered wooden warehouse ) using scanning electron microscopy and energy dispersive spectrometry (SEM-EDS), X-ray diffraction (XRD) and Fourier transform infrared (FTIR) spectrometry.  FTIR analysis shows that the lacquer film is composed of lacquer and pigments but no tung oil. Cross-section analysis shows that none of the four samples has a lacquer plaster layer. The inside of Sample Q1, Q2 and Q4 are all coated with red lacquer on the surface of a black primer, the inside of Sample Q3 and the outsides of Sample Q1, Q2 and Q3 are all coated with red ornamentation on the surface of a black primer, and the outside of Sample Q4 has only a black primer layer. That is to say, most of the samples have a black primer layer directly painted on the surface of a wooden body, and the black primer is covered by a red lacquer film or ornamentation; only one sample has a black primer without a lacquer film or ornamentation. The red lacquer film has a smooth surface and a more uniform thickness than does the black film. The results of EDS and XRD indicate that the main components of red and black films are cinnabar (HgS) and carbon black, respectively. The above workmanship is different from that of the lacquerware unearthed from Chu area, but is similar with those from Mawangdui M2, Dongshan Tomb in Guangzhou and Fengpengling M1 in Changsha. This illustrates that there might exist a workmanship exchange or product trade between Bashu, Lingnan and Changsha areas. Furthermore, no obvious crack or infrared absorption peak induced by degradation was observed in Sample Q3, indicating a better preservation condition than the others. Compared with previous research on the tomb at Shuangbaoshan, this study focuses more on scientific and technological analyses of cross-section morphology of lacquer samples, pigment and film compositions and aging degrees, etc., revealing the workmanship and preservation conditions of lacquerware from the tomb. Comparison of the workmanship between the tomb at Shuangbaoshan and other different regions could provide evidence for the workmanship exchange or product trade.

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杨海艳,王静,刘宇,钟治.四川绵阳双包山汉墓出土部分漆器的制作工艺及老化程度分析[J].文物保护与考古科学,2021,33(5):50-59.

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  • 收稿日期:2020-08-25
  • 最后修改日期:2021-03-08
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  • 在线发布日期: 2021-10-27
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