古代折扇的还原修复——以“文俶”“永瑢”扇为例
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(南京博物院,江苏南京 210016)

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白 玉(1971—),女,2018年毕业于四川农业大学,研究方向为古代书画修复,师承苏裱国家非遗传承人范广畴先生,E-mail: 601313839@qq.com

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Restoration of ancient folding fans —using “Wen Chu” and “Yong Rong” Fans as examples
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(Nanjing Museum, Nanjing 210016, China)

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    摘要:

    针对明代“文俶”及清代“永瑢”折扇画面上的虫蛀、残缺、脱色、掉粉,扇骨残损、断裂等病害,借助电镜纸纤维分析等科学手段,对补纸材料的选择、金笺的固色、扇面原折印褶皱处虫蛀洞的补缺等进行了全面分析,制定了扇面清洗、揭离、补缺、全色、接笔的修复方法。同时,在扇骨的修复实践中,探寻与运用“贴肉”“续筋”“榫卯接骨”等古法,还原修复了扇骨断裂与缺损前的原貌,最大程度地保留了古人在折扇上的审美与实用价值,探讨与实践了传统工艺与现代科技相结合、还原修复古代折扇的一种新的理念与方法。

    Abstract:

    The “Wen Chu” Fan of the Ming Dynasty and the “Yong Rong” Fan of the Qing Dynasty were suffering from diseases such as insect damage, losing parts, discoloration, powder loss, fan bone damage and breakage. Scanning electron microscopy-energy dispersive X-ray spectrometry (SEM-EDX) and other scientific measures were used to conduct a comprehensive analysis and to help to solve some issues including the selection of supplementary papers, fixation of gold paper and filling of worm holes in the original folds of the fan surface. etc. Methods for fan surface cleaning, peeling, filling, color restoration and stroke connecting were also designed. During the fan bone restoration, ancient measures such as sticking, bonding and tenon joints were explored and then applied in order to recover the original appearance of the fans and to retain, as closely as possible, the aesthetics and practical values that ancient people had for folding fans. This is a new idea which combines traditional craftsmanship and modern technologies.

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历史
  • 收稿日期:2018-07-08
  • 最后修改日期:2019-02-17
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  • 在线发布日期: 2020-08-22
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